Fury 2014 澳門 線上看小鴨
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Fury 2014 澳門 線上看小鴨
Fury (电影 2014) | |
持久 | 115 测定时间 |
豁免 | 2014-10-15 |
品德 | AAF 1440P DVDrip |
流派 | War, Drama, Action |
语 | English |
抛 | Emele Y. Emery, Portal C. Eralda, Nolwenn C. Conaill |
水手们 - Fury 2014 澳門 線上看小鴨
In the last months of World War II, as the Allies make their final push in the European theatre, a battle-hardened U.S. Army sergeant named 'Wardaddy' commands a Sherman tank called 'Fury' and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
'Fury' has fantastic set pieces. The special effects are incredible and the sound is brilliant. The film is very gory and there are lots of explosions and body parts flying all over the place.
I could tell that the movie was trying to follow in the footsteps of 'Saving Private Ryan' by stealing a lot of the characters and trying to recreate the depth and heart of that film. However, it didn't realise that 'Saving Private Ryan' took a lot of ideas from old war movies and paid homage to them whilst delivering awe-inspiring and moving scenes of battles.
'Fury' did not have this. A lot of the dialogue and interaction between characters was laughable. The romance that tried to be thrown in at the middle of the film did not work and just seemed bizarre, The characters were one-dimensional and just seemed like walking stereotypes. The film felt more like 'Tropic Thunder' than 'Saving Private Ryan'.
'Fury''s lack of long shots of the landscapes and battles meant that the film did not seem as vast or beautiful as other films of the genre.
However, the action scenes were very well done and it was exciting and superbly directed.
★★★½
I knew that quite a few people had complained about the realism in this movie even though it hold high ratings on most movie sites. I was hoping that the complaints were mostly nitpicking like wrong model of Sherman tank and such like. Well, I am afraid that it was a bit more than that. I would say that this movie is clearly written by some Hollywood writer sitting in his comfy chair and never ever having been close to any military activities, not to mention live action, in his life.
I can live with a movie being inaccurate or somewhat unrealistic if the rest of the movie is good but I have to say that I did not really like the movie even after trying to filter out the unrealistic nonsense.
The movie is very dark and gritty and there are really no likeable characters in it whatsoever. Well, the clerk that got thrown in as a tank machinegun gunner was perhaps somewhat likable but then him getting assigned as a tank machinegun gunner in the first place was one of those nonsensical bits. In this movie the “heroes” are not really any better than the Nazis. The scene where “Wardaddy” forces previously mentioned clerk to shoot an unarmed POW is just disgusting. I am sure this is not too far from reality in some cases during the war but I’ll be damned if I am watching a movie to be entertained by it.
Having said that I must also say that the movie was very well done in terms of acting and cinematography with one exception. The ridiculous overuse of tracer bullet effects. Tracer bullets do not look like you are in a Star Wars movie and yes I have been using tracer bullets during my military service, obviously unlike the producer and consultants (if they had any) of this movie.
The pacing of the movie was somewhat uneven. Some of it was fairly fast paced but then some parts, like the part in the apartment of the two German women was quite slow and somewhat dull.
The “last stand” at the end was just silly and nonsensical. It started pretty much right away when the poor clerk spots the arriving German infantry just using his eyes. Then it just takes forever until they actually arrive so our “heroes” have all the time in the world to prepare. There would of course be no way for a lone Sherman to hold off an assault like that and the Germans would of course not be charging around shooting useless fine caliber weaponry against said Sherman. Also when they had all this time to prepare why the f… did they leave some of the ammo outside the tank? Obviously because some dumb scriptwriter thought it would make for a good scene. And do not get me started on the fact that the Germans apparently just stops in their tracks every time the director thinks it is time for some slow scene inside the tank.
The ending? Well I do not like bad endings and this one certainly did not give me any feeling of reward for having suffered through over two hours of this movie. Needless to say I am a tad disappointed.
WWII through the eyes of a Sherman tank crew
RELEASED IN 2014, "Fury" details the exploits of 'Wardaddy' (Brad Pitt) and his Sherman tank crew during the final month of the European theater of World War II. A meek new guy who knows little about tanks, Norman (Logan Lerman), joins the crew and must learn to kill. Making a final push into the heart of Nazi Germany, the Fury crew makes a heroic stand when their tank breaks down.
Writer/director Dick Ayers wrote the screenplay for 2001's excellent "Training Day." In "Fury" he successfully shows the soldiers’ view of WWII through the eyes of a Sherman tank crew. I know of no other war film that sets out or accomplishes this; Oddball and his crew from "Kelly's Heroes" (1970) perhaps comes closest.
I mainly judge films by whether or not the story keeps my attention. After all, what good is great action, thrills and incredible special effects if the story (or the way it's told) is dullsville, like, say, "The Mummy Returns" (2001) or "Man of Steel"(2013)? "Fury" kept my attention from beginning to end and the characters are all memorable. Speaking of which, the three remaining crewmembers are 'Bible' (Shia LaBeouf), 'Coonass' (Jon Bernthal) and 'Gordo' (Michael Peña).
'Bible' is fittingly an evangelical who strives not to lose his spirituality while brutally annihilating people in the name of war, whereas newcomer Norman is a mainline Christian (Episcopalian). A handful of scripture passages are quoted during the course of the movie, including a couple near the end by Wardaddy. This is an interesting revelation because Wardaddy has become hardened by the war after three years fighting from North Africa all the way to the nucleus of the Nazis. This implies that he was a devoted believer before the war but only a glimmer of his former spiritual affection remains. There are other quality character bits interspersed throughout the film, like how annoying drunk bastages may not be so bad once they sober up.
Beyond the above, the film offers the typical tragic insights about the nature of war. The long final stand in the last act may be unlikely, but it makes for a heroic and thrilling ending to a war movie (yes, it's a MOVIE, not a friggin' documentary). At the end of the day "Fury" arguably ranks with the best WWII movies, like "Where Eagles Dare" (1968), "Enemy at the Gates" (2001), "The Eagle has Landed" (1976), "Bridge on the River Kwai" (1957), "The Dirty Dozen" (1967), "The Thin Red Line" (1998), and "Inglourious Basterds" (2009). As far as comparing it to the overrated "Saving Private Ryan" (1998), the first half hour of that movie is great, but the rest of it leaves much to be desired (remember the lame dog tag sequence?); "Fury" is leagues better IMHO.
The melancholic and moving score by Steven Price is a highlight. Alicia von Rittberg (Emma), Anamaria Marinca (Irma) and Jason Isaacs are featured in fairly notable roles. Speaking of Emma, the brief romance between her and Norman is decidedly forced, which is one of the few negatives of "Fury," but I get the point of that sequence.
THE FILM RUNS 134 minutes and was shot in England.
GRADE: A-
剧组人员
協調美術系 : Lebel Moira
特技協調員 : Wesley Glennie
Skript Aufteilung :Francis Olympus
附圖片 : Sutton Pippa
Co-Produzent : Jeanie Raees
執行製片人 : Maesie Erine
監督藝術總監 : Breda Arwin
產生 : Latrice Anaelle
Hersteller : Hodges Isabela
播放机 : Archard Bourges
Film kurz
花費 : $509,256,745
收入 : $179,653,514
分類 : 背叛 - 束縛傳記, 共產主義 - 未分類, 遠足 - 分離
生產國 : 非洲
生產 : ADD Agency
Fury 2014 澳門 線上看小鴨
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泰森·福里 維基百科，自由的百科全書 ~ 泰森·福里（英語： Tyson Fury ，1988年8月12日 － ），英國職業拳擊運動員，重量級世界拳王。 福里於2008年進入職業拳壇。此後，他曾獲得過英國、大英國協、愛爾蘭、WBO洲際等數項比賽的冠軍頭銜。
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布萊德·彼特 維基百科，自由的百科全書 ~ 《怒火特攻隊》 （Fury） Don Wardaddy Collier 提名—評論家選擇獎最佳動作片男主角 執行製作人 《逐夢大道》 （Selma）執行製片人 2015 《海邊》 （By the Sea） Roland 監製 《直擊彎心》 （Hitting the Apex）紀錄片 旁白；僅聲音演出 監製 《大賣空》 （The Big Short） 班
傑瑞米·雷納 維基百科，自由的百科全書 ~ Ted Fury 未掛名 集數：Tangled Up in You 1999 Zoe Duncan Jack and Jane （ 英語 ： Zoe Duncan Jack and Jane ） Jack 試播集 1999 The Net （ 英語 ： The Net TV series ） Ted Nida 集數：Chem Lab 1999 Time of Your Life （ 英語 ： Time of Your Life TV series ） Taylor 集數：The Time the Truth Was
莎莉·賽隆 維基百科，自由的百科全書 ~ Mad Max Fury Road 芙莉歐莎指揮官 土星獎最佳女主角 評論家選擇獎最佳動作電影女主角 MTV電影大獎最佳女演員 提名芝加哥影評人協會最佳女主角 提名華盛頓哥倫比亞特區影評人協會最佳女主角 2015 暗處 Dark Places Libby Day 兼任監製 2016 狩獵者：凜冬之戰 The
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